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The Synth-Pop Duo's Musical Force Dave Ball Passes Away, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) formed Soft Cell with Marc Almond at Leeds during 1977

The talented musician, a key member of the innovative 1980s electronic music duo Soft Cell, has died at the age of 66.

Alongside vocalist Marc Almond, the pair achieved a worldwide hit with their version of Gloria Jones' the classic track Tainted Love in the mid-80s, and their debut album Non-Stop Erotic Cabaret is considered a seminal work of synth-pop.

He later founded the innovative techno group The Grid, who achieved chart success with 1994's the hit Swamp Thing.

Ball died calmly in his sleep at his residence in London on October 22, just weeks after performing a featured performance with Soft Cell at the Rewind Festival in the Thames-side town.

Health Struggles

During that performance, Ball performed in a wheelchair, as he had for the previous couple of years, after a spate of ill-health.

"I ended up injure myself quite a bit," he commented in a recent interview. "I broke lower vertebrae in my back and fractured about five ribs and fractured my wrist."

Following catching pneumonia and suffering from blood poisoning, he was put in an induced coma and remained in the hospital for half a year.

However, he had been in "a great place mentally" during the warmer months, as he was developing a new album with Almond, titled Danceteria, which is set for release in the coming year.

"He was concentrated and very pleased with the latest project that we actually completed only a few days ago," stated the vocalist in a heartfelt message.
"It's so sad as next year was all set to be such an positive time for him, and I take some solace from the fact that he heard the finished record and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The duo were at the forefront of the electronic music scene in the beginning of the decade

Tributes

Almond referred to his collaborator as "a wonderfully brilliant creative mastermind", stating: "He was the heart and soul of Soft Cell and I'm very proud of our body of work.

"Many thanks Dave for being an immense part of my existence and for the songs you created with me. I wouldn't be where I am without you."

His Grid bandmate from The Grid, also paid tribute, recalling Ball's "endless laughter" and "unwavering friendship".

"Being in a duo with someone is distinct from joining a group, the bond is incredibly close," he added.
"That was the case with us. We went through so many remarkable, extraordinary, life-affirming experiences as a team. Thank you, Dave."
Dave Ball in 2018
Dave Ball, pictured at a radio station in 2018

Formative Years

Brought into the world into a single-parent household in the city of Chester in the late 50s, Ball was given up for adoption when he was 18 months of age.

He grew up in the seaside town with adoptive parents his caregivers, who changed his first name from his birth name to David, alongside his younger sister his sister, who was similarly welcomed.

He encountered Almond at Leeds Polytechnic in 1977, where they were both learning fine arts. Fuelled by a mutual passion of a music genre, they formed Soft Cell the same year, and quickly produced an extended play.

Musical Partnership

The pair were an unusual pairing: Ball was the reserved musician, bent over his synthesizer, while Almond was a flamboyant showman, all sparkle and makeup; but they attained a rare creative synergy.

Ball had cultivated a fascination with electronic instruments after viewing the band Kraftwerk appear on BBC program Tomorrow's World, and began to combine moody electronic sounds to the catchy tunes Almond was composing.

Their signature song became the UK's second most popular single of 1981, shifting millions of units globally. Together with hits by Gary Numan, contemporary bands and electronic acts, it contributed to cleared the path for the synth-pop sound of the 80s.

The track was also included on their full-length debut, their initial LP, which produced two further top five singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the record up with the stand-alone single, Torch, which peaked at number two in 1982.

Soft Cell in the studio
The pair were developing new material until just before Ball's passing

Career Highlights

Success had its benefits. "I loved being able to afford my initial property, having money and travelling, which might seem like a beauty queen," Ball recently told with a publication.

But it also caused problems. "Newfound wealth meant we could afford newfound drugs to alleviate the boredom" of press appearances and TV performances, Ball explained.

"I realize that's a cliché, but it's a cliché for a good reason, because it works for so many bands."

During the hedonistic lifestyle, the duo were also growing distant, but they managed to create a follow-up memorable record - the wayward, edgy and aptly-titled The Art Of Falling Apart.

They released another album, 1984's This Last Night In Sodom, before dissolving the group to focus on individual endeavors.

Almond went on to have a successful solo career, featuring the top 10 hit Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed acid house with melodic sounds over a enduring partnership.

Later Work and Comebacks

Soft Cell reunited in 2001, producing the charting record Cruelty Without Beauty.

Following a further hiatus, they reappeared in 2018, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a final performance at the O2 Arena on 30 September, that year.

However, they stayed together, recording their latest project, Happiness Not Included, during the pandemic restrictions.

Ball lately characterized the band's upcoming release as a tribute to the NYC nightlife they visited while making their first two albums.

He noted that his period in medical care had influenced the band's sound.

"I experienced strange recollections when I was in and out of the hospital because I was on pain medication," he explained to a publication.
"The new songs are a digital reflection of the sounds in my head from that time.
"Simultaneously, it's about the experiences we got up to in the 1980s."

The last versions were finished only days before Ball passed away. It is due for release in the spring of 2026.

MM
The writer

Martha Mitchell

A seasoned gambling analyst with over a decade of experience in casino games and betting strategies.

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