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Ballet Star Matthew Ball on Demanding Parts and Online Scrutiny: 'I Don't Feel Precious About My Body'

Within the quiet ambiance of a lounge near London's prestigious dance company, Matthew Ball orders a mint tea. His posture is naturally upright, his limbs defined beneath a simple tee. During performances, dancers can appear as mighty gods, yet often offstage they are petite. Not so Ball, whose tall stature is part of his popularity for heroic roles and pas de deux work. Possessing delicate features and intense eyes, there's a hint of Robert Pattinson about him.

An Apparent Ascent to the Top

Now 31, Ball is experiencing the peak of a career that has advanced smoothly. Growing up in Liverpool, he faced little teasing for his childhood interest in ballet. Entering the esteemed training institution at 11, he moved straight into the company and was promoted each year, attaining the top rank of principal in 2018. He has loved tackling meaty characters, particularly the emotional turmoil found in a famed choreographer's works.

"Your breath is short, your legs get heavy, but it’s really a mental fatigue."

Ball's next featured appearance is in a talk, in an "In Conversation" series aiming to offer behind-the-scenes insights into a dancer's art. He will guide the crowd through a part, demonstrating his cognitive workflow during execution. Even in lighter works, the test is profound. "Don Quixote is one of the toughest technically," he states.

The Mental Struggle and After the Show Feelings

What about following a performance, when he has pulled it off? "It's pretty good," he admits. "However because I'm trying to extract all the juice out of it, and get immersed in the character, frequently I do feel self-conscious afterwards. After Mayerling I'm always like: God, what must people think?"

Offstage, Ball is thoughtful, polite, and prone to laugh at himself. But a dance maker once observed on a "kind of suffering in him." Is there? "I am very energetic in general, but I do have a dark side," he reveals. "I somewhat enjoy negativity sometimes. I've always felt that doubt has been an catalyst for good change."

Formative Motivations and Creative Inspirations

His tenacity originated in early setbacks. Not excelling in contests at school made him "driven!" This became motivation to demonstrate he could achieve. Discovering the book *Mao's Last Dancer* was a "pivotal" moment. "It changed everything, it made me go a bit obsessive," he remembers.

The next challenge is creating his own dance works. In his view, "there's nothing wrong with." "Breaking the conventions is interesting, but just pretending that they’re not a reality any more – I don’t know how far you can go with that." He aims his work to be filled with substance, drawing ideas from books, compositions, and painting.

Close-Up Dance and Personal Partnership

He additionally favors presenting dance in more intimate spaces. "It was just really exciting," he says of a previous show. "You’re so near to the viewers. I felt as if they were thinking: 'That’s a person, and they’re perspiring.'"

Ball has created pieces with his girlfriend, fellow lead dancer Mayara Magri. The degree of faith between them is evident. "We first practiced on a beach," he says of a audacious lift. "It resembled Dirty Dancing." They aren’t usually paired on stage at their main theater, which might be healthy. "We’re both quite determined people, so it’s not always smooth sailing," he notes. "Yet I feel like we’re each other’s biggest cheerleader."

Regarding Instagram and Physical Perception

On Instagram, fans can see videos from his projects and photos that highlight a athletic form. Does he care that the response can be a bit focused on appearance? Not particularly. "The body is just what we work with, so I don’t feel very protective about it," he states. He relates it to seeing Michelangelo’s David—something that can be seen on various levels.

Ball describes his younger self as "desperate for success." Did it lived up to his expectations? "I am conscious of how life is a separate reality to the dreams you had as a child," he muses. He probably has about ten years of dancing left. "I guess in the time to come, I want to be a bit more kind with myself."

MM
The writer

Martha Mitchell

A seasoned gambling analyst with over a decade of experience in casino games and betting strategies.

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